Conversation

Despite the hype around MOOCs to date, there are many similarities between MOOC research and the breadth of previous investigations into (online) learning.

Timeline of the development of MOOCs and open education, from: Yuan, Li, and Stephen Powell. MOOCs and Open Education: Implications for Higher Education White Paper. University of Bolton: CETIS, 2013.

Ed: Does research on MOOCs differ in any way from existing research on online learning? Rebecca: Despite the hype around MOOCs to date, there are many similarities between MOOC research and the breadth of previous investigations into (online) learning. Many of the trends we’ve observed (the prevalence of forum lurking; community formation; etc.) have been studied previously and are supported by earlier findings. That said, the combination of scale, global-reach, duration, and “semi-synchronicity” of MOOCs have made them different enough to inspire this work. In particular, the optional nature of participation among a global-body of lifelong learners for a short burst of time (e.g. a few weeks) is a relatively new learning environment that, despite theoretical ties to existing educational research, poses a new set of challenges and opportunities. Ed: The MOOC forum networks you modelled seemed to be less efficient at spreading information than randomly generated networks. Do you think this inefficiency is due to structural constraints of the system (or just because inefficiency is not selected against); or is there something deeper happening here, maybe saying something about the nature of learning, and networked interaction? Rebecca: First off, it’s important to not confuse the structural “inefficiency” of communication with some inherent learning “inefficiency”. The inefficiency in the sub-forums is a matter of information diffusion—i.e., because there are communities that form in the discussion spaces, these communities tend to “trap” knowledge and information instead of promoting the spread of these ideas to a vast array of learners. This information diffusion inefficiency is not necessarily a bad thing, however. It’s a natural human tendency to form communities, and there is much education research that says learning in small groups can be much more beneficial / effective than large-scale learning. The important point that our work hopes to make is that the existence and nature of these communities seems to be influenced by the types of topics that are being discussed…

Looking at “networked cultural production”—ie the creation of cultural goods like films through crowdsourcing platforms—specifically in the ‘wreckamovie’ community

Nomad, the perky-looking Mars rover from the crowdsourced documentary Solar System 3D (Wreckamovie).

Ed: You have been looking at “networked cultural production”—ie the creation of cultural goods like films through crowdsourcing platforms—specifically in the ‘wreckamovie’ community. What is wreckamovie? Isis: Wreckamovie is an open online platform that is designed to facilitate collaborate film production. The main advantage of the platform is that it encourages a granular and modular approach to cultural production; this means that the whole process is broken down into small, specific tasks. In doing so, it allows a diverse range of geographically dispersed, self-selected members to contribute in accordance with their expertise, interests and skills. The platform was launched by a group of young Finnish filmmakers in 2008, having successfully produced films with the aid of an online forum since the late 1990s. Officially, there are more than 11,000 Wreckamovie members, but the active core, the community, consists of fewer than 300 individuals. Ed: You mentioned a tendency in the literature to regard production systems as being either ‘market driven’ (eg Hollywood) or ‘not market driven’ (eg open or crowdsourced things); is that a distinction you recognised in your research? Isis: There’s been a lot of talk about the disruptive and transformative powers nested in networked technologies, and most often Wikipedia or open source software are highlighted as examples of new production models, denoting a discontinuity from established practices of the cultural industries. Typically, the production models are discriminated based on their relation to the market: are they market-driven or fuelled by virtues such as sharing and collaboration? This way of explaining differences in cultural production isn’t just present in contemporary literature dealing with networked phenomena, though. For example, the sociologist Bourdieu equally theorised cultural production by drawing this distinction between market and non-market production, portraying the irreconcilable differences in their underlying value systems, as proposed in his The Rules of Art. However, one of the key findings of my research is that the shaping force of these productions is…

The research expectations seem to be that control and intervention by Beijing will be most likely on political and cultural topics, not likely on economic or entertainment ones.

Access to data from the Chinese Web, like other Web data, depends on platform policies, the level of data openness, and the availability of data intermediary and tools. Image of a Chinese Internet cafe by Hal Dick.

Ed: How easy is it to request or scrape data from the “Chinese Web”? And how much of it is under some form of government control? Han-Teng: Access to data from the Chinese Web, like other Web data, depends on the policies of platforms, the level of data openness, and the availability of data intermediary and tools. All these factors have direct impacts on the quality and usability of data. Since there are many forms of government control and intentions, increasingly not just the websites inside mainland China under Chinese jurisdiction, but also the Chinese “soft power” institutions and individuals telling the “Chinese story” or “Chinese dream” (as opposed to “American dreams”), it requires case-by-case research to determine the extent and level of government control and interventions. Based on my own research on Chinese user-generated encyclopaedias and Chinese-language twitter and Weibo, the research expectations seem to be that control and intervention by Beijing will be most likely on political and cultural topics, not likely on economic or entertainment ones. This observation is linked to how various forms of government control and interventions are executed, which often requires massive data and human operations to filter, categorise and produce content that are often based on keywords. It is particularly true for Chinese websites in mainland China (behind the Great Firewall, excluding Hong Kong and Macao), where private website companies execute these day-to-day operations under the directives and memos of various Chinese party and government agencies. Of course there is some extra layer of challenges if researchers try to request content and traffic data from the major Chinese websites for research, especially regarding censorship. Nonetheless, since most Web content data is open, researchers such as Professor Fu in Hong Kong University manage to scrape data sample from Weibo, helping researchers like me to access the data more easily. These openly collected data can then be used to measure potential government control, as has…